BEFORE YOU GIVE THEM YOUR WORK
1.
Do as much as you can to come up with and answer
your own questions. I drove myself crazy doing this so there is such a thing as
overdoing it.
2.
Writing questions within the piece, while it can
be tacky for an official editor, I did this for my own notes and would give
these drafts to people and they would answer them.
3.
Make sure the person you are handing your work
to knows you expect feedback and what kind. It’s going to be easy for them to
just read it and say they liked it or didn’t. I still haven’t figured out how
to get people to actually give a critique even after I made it clear, though
they may not have any official expertise, they can help me (and my lame
spelling and grammar).
4.
I still haven’t mastered the art of giving a
timeline for the critique. I had a schedule for one, every two weeks I’d heard
about a few chapters. One I got after two weeks that covered the whole book, and
one I’m still waiting on after months, which brings me to…
WHILE YOU’RE WAITING KEEP WORKING ON YOUR PIECE. DON’T LET
THE FACT A FRIEND IS READING IT SLOW YOU DOWN, this is specifically for among
the drafts edits. A final edit you can’t keep working.
BEFORE YOU MEET FOR
THE CRITIQUE
1.
Prepare yourself for some hard to hear stuff.
You’ll get hit with a lot of balls in the gut but like dodge ball you have to find
a way to avoid getting hurt.
2.
Prepare some open ended questions designed to
flush out problems. Examples;
a.
What about the character made you feel he wasn’t
developed enough?
b.
Can you point to some examples of when the
setting wasn’t clearly stated?
3.
Remind yourself this person is human just like
everyone else, they are not all knowing and always right but only you know how
you want your story to be.
4.
You should have already written down intentions
for your plot, character, etc. You’ll need to keep these in mind and hold firm
to them during the meeting.
5.
Remind yourself that your draft isn’t bad it’s
good but you want to make it better.
WHEN YOU MEET
1.
Ask for what they liked about the piece first
but after a few minutes you have to ask what they thought could have been
better. Listen/take notes. Acknowledge what they are saying even if you don’t
agree with it. But try and look at your story as if what they are saying is
true so you don’t get in an uncompromising rut. DON’T DWELL ON THE REWRITE, it’s
going to be different than you think you haven’t had time to think it through
or finish the critique.
2.
Don’t get emotional, happy or upset, especially defensive.
The person giving the critique is giving advice to their best ability. They are
fallible and there’s no reason you have to agree or use it, if you feel it
doesn’t suit your story.
3.
Ask open ended questions, especially if you feel
the person has come to a fallacious assumption. I can’t tell you how many times
I’ve asked questions and either the one critiquing the piece took it back or I
found the comment was different than what I thought. It also helps you better
understand the problem, opening up your options, if there is something you have
to change.
4.
Pay attention to body language. It’s best to
meet in person. This was a lifesaver for me. One of the people who reviewed my piece
was tearing it to shreds but was doing it with such passion that I knew he
cared about the piece. He was excited. I’d hooked him in my plot even though
he felt the writing and characters needed lots of work. I consider that a successful
draft.
5.
Keep in mind a lot of the advice you’re getting
is personal opinion, choices, and biased. Everyone sees through their own rose
colored glasses and advice from one person could be the exact opposite of
another. Make sure you stick to your clear intentions.
6.
At the end tell them what helped you and thank
them.
AFTER
1.
Celebrate! You’ve gotten through the hardest
part of writing. No matter how it went you’re on your way. You
know what they say, "a bad dress rehearsal means a good performance."
2.
Save your draft under a new name. I like to
attach the date to all my drafts.
3.
Go through each suggestion and consider them
carefully, trying them a few times, before you discard them.
4.
Discard whatever you want to.
5.
Remind yourself the person you worked with was
doing you a favor, don’t let that get in the way of any relationship. Go ahead
and think they’re stupid when it comes to your piece but that doesn’t mean they’re
a stupid person. She’s probably a lot of fun once you get a few martinis in
her.
I hope this helps people. When you do these things it feels
less of a violation than getting fraudulent charges on your bank card, which
happened to me today. Ahh!
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