We love our protagonists, often we
can identify with them and there’s a piece of ourselves in them, so how can we
force them through the torture of the story’s conflict? It’d be easy for us to
change the story so they never have to live that hell we designed for them. We
are essentially God. But then without a conflict there’s no story so what do we
do?
I’ve loved my protagonists in my
stories, and even some of the villains. It’s been hard for me to put them through the
torture of conflict. Yet I came up with a way to keep conflict without being
cruel to one’s protagonist;
the conflict must help shape the protagonist
into something better that they couldn’t have
become if they hadn’t gone through the conflict.
There are a few things
that need to be done for this to work;
1.
At the beginning show a flaw in your protagonist
that needs to be changed.
a.
My novels’ protagonists have many flaws but there's usually one
major or highlighted flaw that needs changing. It’s not always so obvious what
it is, to the point it can be named easily.
2.
During the story the protagonists has to undergo
change, shaped by the conflict.
a.
For example, a protagonist who has too much
pride needs to be disappointed again and again till he or she realizes he needs
to get rid of his pride.
3.
At the end the protagonist has to come out
different than they were in the beginning.
These are basic steps but
sometimes forgotten. I often forgot the first one, wanting my beloved protagonists
to be perfect—no wonder my stories were boring. But now here it is plain and
simple. You don’t have to torture your protagonists to create interesting
conflict. The conflict you force them through teaches them, makes them better,
helps them grow, and it makes us closer to God since that’s what he does for
us.
My inspiration for this article
was an event that happened at a writer’s conference;
A woman asked, “I care about my
protagonist so much I have trouble putting my protagonist through the torture
of conflict. How can I make it easier?” The panel being asked said, “put the
characters through more torture, the more the better.” This was extremely unhelpful. It didn’t
answer the question or solve the woman’s problem. I’d already been through this problem and
solved it but I was unable to find the woman so I thought I’d post my answer here.
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